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The museum of broken promises / Elizabeth Buchan ; read by Joan Walker.

Nā: Kaituhi: Momo rauemi: SoundSoundKaiwhakaputa: Tullamarine, Victoria : Bolinda Audio, 2019Copyright date: ©2019Edition: MP3 edition ; UnabridgedWhakaahuatanga: 1 MP3 disc (approximately 12 hours, 12 minutes) : digital ; 12 cmContent type:
  • spoken word
Media type:
  • audio
Carrier type:
  • audio disc
  • computer disc
ISBN:
  • 9780655639336
  • 0655639330
Ngā marau: Genre/Form: DDC classification:
  • 823.92 23
Read by Joan Walker.Summary: Paris, today. The Museum of Broken Promises is a place of wonder and sadness, hope and loss. Every object in the museum has been donated, a cake tin, a wedding veil, a baby's shoe. And each represent a moment of grief or terrible betrayal. The museum is a place where people come to speak to the ghosts of the past and, sometimes, to lay them to rest. Laure, the owner and curator, has also hidden artefacts from her own painful youth amongst the objects on display. Prague, 1985. Recovering from the sudden death of her father, Laure flees to Prague. But life behind the Iron Curtain is a complex thing: drab and grey yet charged with danger. Laure cannot begin to comprehend the dark, political currents that run beneath the surface of this communist city. Until, that is, she meets a young dissident musician. Her love for him will have terrible and unforeseen consequences. It is only years later, having created the museum, that Laure can finally face up to her past and celebrate the passionate love which has directed her life.
Ngā tūtohu mai i tēnei whare pukapuka: Kāore he tūtohu i tēnei whare pukapuka mō tēnei taitara. Takiuru ki te tāpiri tūtohu.
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Read by Joan Walker.

Paris, today. The Museum of Broken Promises is a place of wonder and sadness, hope and loss. Every object in the museum has been donated, a cake tin, a wedding veil, a baby's shoe. And each represent a moment of grief or terrible betrayal. The museum is a place where people come to speak to the ghosts of the past and, sometimes, to lay them to rest. Laure, the owner and curator, has also hidden artefacts from her own painful youth amongst the objects on display. Prague, 1985. Recovering from the sudden death of her father, Laure flees to Prague. But life behind the Iron Curtain is a complex thing: drab and grey yet charged with danger. Laure cannot begin to comprehend the dark, political currents that run beneath the surface of this communist city. Until, that is, she meets a young dissident musician. Her love for him will have terrible and unforeseen consequences. It is only years later, having created the museum, that Laure can finally face up to her past and celebrate the passionate love which has directed her life.

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